The ancient drama, the former traffic password, now the reputation collapsed and became the object of the group laughed.The audiences voicing sounds, from the plot to the acting skills, from special effects to taking the road, almost no link can be spared.
Among them, the most criticism is the design that is gradually converging and lacks new ideas.Is the aesthetics of the ancient drama really come to an end?The emergence of "Yong Ye Xinghe" seems to bring a little dawn to this dilemma. Can it be able to turn the tide and ignite the new hope for the future of the ancient drama?
In recent years, open a costume drama.A few cheap metal hair accessories are purchased from the same wholesale market.This pipeline -type modeling design not only lacks beauty, but also makes people feel perfunctory and lack of sincerity.
The shape of the costume drama should be a window to show the traditional Chinese culture and aesthetic taste.However, todays costume dramas seem to be in a strange circle, excessively pursuing tedious and gorgeous, but ignore the most fundamental beauty and details.
Various metal hair accessories, plastic bead flowers, feather decoration pile on the actors head, like "illegal building", Not only did not improve the characters temperament, but it seemed cumbersome and tacky.What is even more unacceptable is that these shapes often lack the adaptability of characters and plots. No matter what status and character characteristics, they are not clear with the same hairstyles and headwear.
Taking "Feng Qihuang" as an example, the heroine Guan Xiaotongs headgear shape in the play can be called "disaster scene".The hairstyle that was nicknamed the "sewing machine" by netizens was not only ugly to spicy eyes, but also doubted the aesthetic level of the stylist.
Such an exaggerated headgear not only did not add color to the role, but became the focus of the audience, and even masked the actor’s actor’s how the actorActing and plot itself.There are many similar examples. For example, in "Seven Auspicious", the headdress of male and female actors seems to be in a "higher" competition, one towering into the cloud, making people sigh: Is this costume drama or acrobatics performanceIntersection
Look at the costume dramas made by S -class, suchWait, although the investment is huge and the actor lineup is strong, it still has not escaped the "assembly line" in terms of design.The heroines of several dramas are almost exactly the same. They are all hair, metal hair accessories, and simple buns. They lack personality and characteristics, making people cant help but have aesthetic fatigue.Is the stylist of these dramas really collectively "deaf"?Do they really understand the significance and value of the styling of costume drama?
This "uniform" styling template not only makes the audience feel aesthetically fatigue, but also reflects the costume drama production team of costume drama production teamsPerfunctory and lack of innovation.They seem to have forgotten that the modeling design is not only for decorative actors, but also to shape characters, set off the plot, and show cultural connotation.
When the shape design is reduced to the picker line -type copy and paste, the aesthetics of costume dramas also lose the soul.
In the style of "Film", the emergence of "Yongye Star River" is undoubtedly shining.The design of this drama does not blindly pursue tedious and gorgeous, but has returned to "intentional" and "details". With its unique aesthetic and superb craftsmanship, it presents a visual feast for the audience.
The heroine played by Yu Shuxin in the play, each set of styles is carefully designed, from hairstyle to headwear, from clothing to accessories.Personality and plot development fit.Although her headdress is complicated, she is "complicated but not chaotic". Each hair, every bead, and every velvet flower have been carefully arranged to show a "beauty of order".
Take the drama "false marriage" as an example.A variety of colors such as green, complicated and not cluttered. The existence of each color is just right, setting up each other to form a harmonious picture together.This color matching not only reflects the color aesthetics of traditional culture, but also shows the ingenuity of the stylist.
Red symbolizes joy and enthusiasm, blue symbolizes noble and mysterious, yellow symbolizes wealth and auspiciousness, and green symbolizes vitality and hope.The clever combination of colors not only set the atmosphere of the wedding, but also shows the complex psychological state of the heroine.
The modeling team of "Yongye Xinghe" did not simply pile various decorations on the actors head, andPay attention to the polishing of details, and strive to make every headgear into a artwork.They used a large number of traditional crafts such as editing rope, velvet flowers, and bead embroidery.
For example, many of Yu Shuxins headdress in the play adopt the rope technology, each hair rope has been complicated and woven, showing the exquisite skills of traditional handicraftsAnd cultural connotation.The ultimate pursuit of details makes the shape design of "Yong Ye Xinghe" full of texture and vitality, and also makes the audience feel the charm of traditional culture.
Unlike those "head heavy" costume drama styles, the style design of "Yongye Xinghe" focuses on the role and the plotAdaptability.Yu Shuxins styling in different scenes will change according to the plot and clothing, or fresh and elegant, or gorgeous or dignified, or lively and playful.
For example, in some relaxed daily scenes, her shape will be relatively simple to highlight the youthful vitality of the character; and in some important occasions,Her shape will be more gorgeous, showing the status and status of the character.
This kind of changes in modeling according to the needs of the plot and characters, which not only reflects the intention of the styling team, but also makes the role more even moreFresh three -dimensional.
In addition to Yu Shuxin, the shapes of other characters in the play are equally wonderful.The role played by Chen Duling is even more amazing.
The gold ornaments and gold foil on her head are not simply stacking, but carefully designed to complement her clothing and makeup, showing a noble and elegantTemperament.This "beautiful and not popular" style style, perfectly in line with the characters personality and identity, also makes the audience more impressive to Chen Dulings performance.In contrast, the shapes of the "cheap copper -made buns" are stacked by the colors.The modeling team of "Yong Ye Xinghe" uses actual actions to prove that the real beauty is not "more" or "less", but in "fine" and "intention".
In the play, whether it is the protagonist or the supporting role, its shape design reflects the inheritance and innovation of traditional culture.The stylists draw inspiration from traditional clothing, headwear, and makeup, and re -creation in combination with modern aesthetics, creating a styling style with both classical charm and modern fashion.
For example, a large number of traditional elements such as velvet flowers, lotus, and plate buckles are used in the play. These elements not only have a strong Chinese style, but also symbolize beautiful meaning.The velvet symbolizes the wealth and auspiciousness, the lotus symbolizes purity and elegance, and the buckle symbolizes auspiciousness.The use of these traditional elements not only enriches the sense of layering of the shape, but also gives the role a deeper cultural connotation.
"The success of the Youth Night Star River is not accidental.With its excellent production and the ultimate pursuit of details, it has set a new benchmark for the aesthetic improvement of costume dramas.
The styling design of this drama not only makes people shine, but also causes peoples thinking about the aesthetic of costume dramas.
For a long time, the shape design of costume dramas has always been misunderstood.In order to pursue visual effects, some crews blindly stack gorgeous clothing and headwear, but ignore the fit of the shape, the character and the plot.
In order to save costs, some crews use a assembly line -type shape design, resulting in the same role of character modeling and lack of personality and recognition.These practices not only harm the artistic value of costume dramas, but also cause the audience to have aesthetic fatigue.
The emergence of "Yongye Star River" breaks these misunderstandings, it tells us that the modeling design of costume dramas should not should not be design.Just stay on the surface, but should go deep into the characters inner world and cultural connotation.The design is to serve the character to better show the characters personality, identity, and emotion.
Only when it is really designed can we create a beautiful and cultural connotation shape.
"Attentive" is the core of the design of the "Yongye Star River".From the material of clothing to the details of the headgear, from the color of makeup to the design of the hairstyle, each link reflects the intention and ingenuity of the modeling team.
They did not sacrifice the quality in order to pursue speed, nor did they cut the materials to save costs, but strived to refine and strive for perfection.It is this "intentional" attitude that makes the shape of "Yongye Star River" so outstanding and unforgettable.
In addition to "intention", the shape design of "Yongye Xinghe" also focuses on the inheritance and innovation of traditional culture.It does not simply copy and pastes traditional clothing and headwear, but on the basis of in -depth research, combined with modern aesthetics to create re -creation, giving traditional culture new vitality.
This respect and innovation of traditional culture not only enhances the cultural connotation of costume dramas, but also allows the audience to feel itThe profound and profound Chinese culture.
The success of "Yongye Star River" pointed out the direction for the future development of costume dramas.It tells us that only by returning to "ingenuity" and polishing every detail can we create truly excellent costume drama works.In the future, the styling design of costume dramas needs to pay more attention to the following aspects:
Role adaptability: styling design must be withThe characters personality, identity, and status are consistent. You cannot be the same. It is necessary to reflect the characters personality and characteristics.
Plot service service: The modeling design should serve the development of the plot, to enhance the plot atmosphere and show the emotional changes of the character.
Cultural inheritance: Styling design should pay attention to the inheritance and innovation of traditional culture, combine traditional elements with modern aesthetics, and create a styling style with Chinese characteristics.
Details Extractive: Style design should focus on the polishing of details, excellence and perfect, every detail must be reflectedIngenuity.
Conclusion
The attack was injected into the ancient drama market.With its exquisite craftsmanship and the ultimate pursuit of details, it proves the power of "intention" and has also set a new benchmark for the aesthetic improvement of costume dramas.
I hope that the future costume drama production team can be used as a lesson to return to the "ingenuity spirit", polish every detail with heart, and present more excellent costume dramas for the audienceThe work makes the ancient drama return to the peak.After all, the eyes of the audience are clear. Only by the real work can win the recognition and love of the audience, and be invincible in the fierce market competition.
The success of "Yong Ye Xinghe" is just the beginning. Whether it can truly ignite the new hope of the ancient drama, it remains to be tested by time.But we believe that as long as the costume drama production team can adhere to the "ingenious spirit" and continue to innovate, the future of the ancient drama will definitely be more bright.
