Behind the colorful exhibition is the process of continuously running in between the Chinese and foreign curative teams, crossing the gap, and realizing the process of seeking common groundwork on the basis of mutual respect and mutual trust.Although there are differences in the "review of questions", the effects of cultural integration, mutual learning, and communication are finally presented.The "collision" and other aspects of methods are also the "join hands"
text of "join hands" "Looking" News Weekly reporter Yang Shujun From the "enlightenment art" jointly organized with the three major Museums of Germany, to the "porcelain charm" of cooperation with the British Museum;"The" Food Slood in China -Ancient Chinese Food Culture Exhibition "... Since the re -opening and expansion of March 2011, the highlights of the international exchange exhibition of the National Museum of China frequently appeared on the highlights of the worlds audiences.Affected by cultural differences and exhibition technology, the process of holding the exhibition is sometimes full of twists and turns.Behind the colorful exhibition is the process of continuously running in between the Chinese and foreign curative teams, crossing the gap, and realizing the process of seeking common groundwork on the basis of mutual respect and mutual trust ...
Visit the audiences" Shadow Shadow Verfect -Uffiezi Art Museum Master Self Portrait Exhibition "(Photo taken on April 26, 2023) by the audience exhibited at the National Museum of China (Photo by April 26, 2023) Golden Liang Kuai Photo/This Journal
Seeking common deposits and beauty and the United States
The self -portraits of 50 art masters such as Lahael and Titori at close range, and feel the bright star of the art of art.EssenceFrom April to September 2023, "Heart Shadow Verfects -The Master of the Uffizi Art Museum" was exhibited at the National Museum of China.
"The exhibition was launched by the National Museum of China and the Italian Embassy in China and the Uffizi Art Museum. In order to enhance the exhibition experience, China also specially purchased non -anti -light glass."Pan Qing, the Chinese curator of the exhibition and the director of the International and Art Exhibition of the National Museum of China, told reporters.
With the exchanges and exchange between museums around the world, more and more international exchange exhibitions have entered the country, increasing peoples opportunities to understand the world and sharing human outstanding cultural achievementsThe way.
At the beginning of the exhibition preparation, Pan Qing hopes to put some of the artist works that Chinese audiences are more familiar with in key positions to increase the effect of exhibition.
This proposal has not been recognized by the curator of the Uffizi Art Museum. "They insist that they must be sorted according to the authors life.Under the negotiation, some changes have been made in design, and the two sides have reached a consensus.The method of representative works of the artist highlights the "star" work, and creates a wonderful space for the audience to cross time and space and make a soul dialogue with the art master.
Some audiences said in a message, "Although there are only 50 real exhibits, through rich exhibition design and text analysis, I have a better understanding of the work and get a new one.Enjoy. "
" After the foreign exhibition landed to China, at the exhibition, we should try to combine the interests of domestic audiences as much as possible. "Pan Qing said," The purpose of the international exhibitionIt is to promote the communication and mutual understanding of civilization, and promote the communication of the people. Therefore, in the communication with foreign parties, we are based on the basis of respecting each other and being able to cooperate for a long time. "
In order to make moreMany Chinese audience appreciated the collection of the Uffizi Art Museum. The National Museum of China also cooperated with a new Italian media company to launch a light and shadow experience part.Qi, Raphael, Potcheli and other masterpieces of Renaissance masters.
"The audience walked into the immersive experience part, it seemed to enter the Uffizi Museum of Fine Arts. Many audiences feedback that they like this design." Pan Qing said with a smile.
Select Treasure Exhibits to tell the story of cultural relics
The good exhibition effect is inseparable from the choice of the exhibits.
In 2019, the National Museum of China and the museums of 12 countries including Cambodia, Japan, Kazakhstan, Mongolia, Poland, including Cambodia in the "Belt and Road" jointly held the "Special Food Sharing -Silk SilkThe National Museum National Museum Cultural Relics Exhibition ".
In this exhibition, the audience can watch the leaf -shaped spearheads of the Russian National History Museum, the Cambodian National Museum Collection Copper Drum, the National Central Museum of KoreaPieces (sets) historical cultural relics, "witness" the rich and diverse cultural exchanges of countries along the Silk Road.
"Some countries mainly want to express the history of their land, such as Slovenia to take out bone flutes. In the collection of the Warsaw National Museum in Poland, you can see how Chinese art has become PolandAnd the source of inspiration for European artists. "Zheng Yan, head of the International Liaison Department of the National Museum of China, told reporters that the situation was involved in the preparation of the exhibition.In her opinion, although the "topic" methods of different countries are different, they ultimately show the effect of blending, mutual learning, and communication.
In the increasingly close international exchanges, how to make Chinese culture better "go global" is a question that museum people have been thinking.
In 2022, the "Food Steal Chinese -Ancient Chinese Food Culture Exhibition" has exhibited and received a warm response at Liechtenstein."In Pan Qings view," Chinese cultural relics are going out to exhibition, the most important thing is to find the subject matter that the audience is interested in. "
"At present, the number of exhibitions introduced is still more than the exhibition. In the future, we will also adopt a more flexible way to actively promote the exhibition out of the country and tell the story of Chinese stories."Pan Qing said.
Chinese and foreign strategies exhibitors together
The "collision" in the aspects of exhibition methods is also the "hand in hand" that learn from each other and progress together.
In 2022, 503 precious cultural relics such as the ancient Roman origin legend, the solemn and elegant Angeia goddess sitting statue, the Augustus avatar wearing a headscarf appeared in Beijing,"Source of Italy -Ancient Roman Civilization Exhibition" was exhibited at the National Museum of China.
Behind this wonderful exhibition, the Chinese and Italian curatorial teams have worked hard.
Affected by factors such as the new crown epidemic, 503 cultural relics traveling to China is quite bumpy.Without the staff of the cultural relics, accompanied by the staff of the cultural relics, the National Museum of China tried a new way to pay the video. The staff of the two sides inspected the cultural relics through the lens, and under the guidance of the staff of the party, put the precious cultural relics on the booth and reinforced it.
As the curator of this exhibition, Pan Qing still remembers the scene at the time.
"Cultural relics involve 26 museums in Italy, we intersect through videos." Considering the time difference between the two countries and Italy, the Guobe Exhibition Team and the Cultural Insurance Institutes restoration team carefully cooperatedEvery day from 3 pm to 12 oclock in the afternoon, do some handwing work for 8 days.
In this exhibition preparation, a "episode" also appeared.
A precious cultural relics made of snowflake stone are damaged during transportation.Fortunately, the two parties discussed the two parties and repaired them through video discussions. In the end, the cultural relics were able to meet with the audience in China.
"Different cultural relics restoration technology in various countries are different, and we will not repair under the circumstances, but the intention hopes that we can help repair." Pan Qing said.Although the concepts of cultural relics have different cultural relics, the two sides are further learning and understanding during the communication and cooperation process.
"Zhizhi, not far from mountains and seas." Pan Qing said, "Visiting exhibitions in the museum has become an important part of public cultural life, we will continue to introduce important exhibitions abroadAt the same time, it will also actively promote exhibitions with Chinese characteristics to the world. "■
